Renoir used to paint pictures of me with roses at my ladyparts,
one arm flung above a mass of autumn’s fiery curls,
the other all graceless elbows and imperfect fingertips
cradled softly, looking for another hand to hold
Mais oui, Pierre-Auguste, I wish you could see me now
one hundred and eleven years into the future,
my living room rug the same shade as the chaise we adored,
and a plethora of fetishizing sweethearts saying,
“You’re a big girl, but you’re not fat”,
“You could lose weight, but I don’t want you to”
as they slip red foil Russell Stover boxes, wrapped
in cheap static-y cellophane beneath my door and leave
wrinkled, sticky packets of peanut butter M&Ms on my desk at work -
they’re desperate to blow me up,
artificially enhance each limb with enzymes and preservatives
so they can fuck my still-breathing corpse
after slipping their powders into the pill that they slip in my drink
because
I can hear those boys at the end of the bar playing Fuck, Marry, Murder
and one of them just said
I’d make a fine Christmas ham.
I know what those slick lipped lovers want, always licking
their teeth with slug tongues
at the ample bosoms and buttocks
of the girls walking past:
they want to dig their fists into the fat at my belly and
carve out their piece of flesh to suckle deep in the night where
it is safe to love me.
But Renoir used to paint me with roses,
and I’d rather be there
because I’ve been the voluptuous skinny girl with strawberry lips -
that body was jumped in the park at twelve when it was too dark to see,
invaded at fourteen with a filthy sock crammed in the opposite hole to stop the screams,
trapped in the designated driver’s bed at eighteen with too many beers consumed,
and when the cries of “No” brought his mother running,
he yelled through the deadbolted door that
I was only having a nightmare.
It’s okay,
I’m only dreaming.
So, no, I don’t worry about thin anymore,
because my ten minute mile
can’t outrun the trauma of a twenty-eight inch waist,
can’t outpace the breath sneaking up on my neck,
or the fingers clawing at the my face,
can’t close the distance between my eyelids any faster
when my boyfriend’s sweet kisses pull a trigger in my memory
and I can only freeze or make him shame me.
But Renoir used to paint me.
Renoir used to paint me
to rise again and again in the immortal phrase
of J’taime
and color the love
so violently splashed across his canvas.
one arm flung above a mass of autumn’s fiery curls,
the other all graceless elbows and imperfect fingertips
cradled softly, looking for another hand to hold
Mais oui, Pierre-Auguste, I wish you could see me now
one hundred and eleven years into the future,
my living room rug the same shade as the chaise we adored,
and a plethora of fetishizing sweethearts saying,
“You’re a big girl, but you’re not fat”,
“You could lose weight, but I don’t want you to”
as they slip red foil Russell Stover boxes, wrapped
in cheap static-y cellophane beneath my door and leave
wrinkled, sticky packets of peanut butter M&Ms on my desk at work -
they’re desperate to blow me up,
artificially enhance each limb with enzymes and preservatives
so they can fuck my still-breathing corpse
after slipping their powders into the pill that they slip in my drink
because
I can hear those boys at the end of the bar playing Fuck, Marry, Murder
and one of them just said
I’d make a fine Christmas ham.
I know what those slick lipped lovers want, always licking
their teeth with slug tongues
at the ample bosoms and buttocks
of the girls walking past:
they want to dig their fists into the fat at my belly and
carve out their piece of flesh to suckle deep in the night where
it is safe to love me.
But Renoir used to paint me with roses,
and I’d rather be there
because I’ve been the voluptuous skinny girl with strawberry lips -
that body was jumped in the park at twelve when it was too dark to see,
invaded at fourteen with a filthy sock crammed in the opposite hole to stop the screams,
trapped in the designated driver’s bed at eighteen with too many beers consumed,
and when the cries of “No” brought his mother running,
he yelled through the deadbolted door that
I was only having a nightmare.
It’s okay,
I’m only dreaming.
So, no, I don’t worry about thin anymore,
because my ten minute mile
can’t outrun the trauma of a twenty-eight inch waist,
can’t outpace the breath sneaking up on my neck,
or the fingers clawing at the my face,
can’t close the distance between my eyelids any faster
when my boyfriend’s sweet kisses pull a trigger in my memory
and I can only freeze or make him shame me.
But Renoir used to paint me.
Renoir used to paint me
to rise again and again in the immortal phrase
of J’taime
and color the love
so violently splashed across his canvas.
1 comment:
thank you for writing this. thank you again for sharing it.
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